1712-1793 Italian Francesco Guardi Galleries Francesco Guardi was born in Venice into a family of lesser nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolo and Gian Antonio were also painters, the latter inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo. In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works is from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his better-known brother, Gian Antonio. The first work signed by Francesco is a Saint Adoring the Eucarist (circa 1739). His works in this period included landscapes as well as figure representations. His early vedutas show influence both from Canaletto and Luca Carlevarijs. On February 15, 1757 he married Maria Mattea Pagani, the daughter of painter Matteo Pagani. In the same year his brother Gian Antonio died and his first son, Vincenzo, was born. His second son, Giacomo, was born in 1764. In 1763 he worked in Murano, in the church of San Pietro Martire, finishing a Miracle of a Dominican Saint clearly influenced by Alessandro Magnasco in its quasi-expressionistic style. Francesco Guardi's most important later works include the Doge's Feasts, a series of twelve canvases celebrating the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo. In his later years, Canaletto's influence on his art diminished, as showed by the Piazzetta in the Ca' d'Oro of Venice. In circa 1778, he painted the severe Holy Trinity Appearing to Sts. Peter and Paul in the parish church of Roncegno. Miracle of a Dominicane Saint (1763), Lugano, private collection.In 1782 Guardi was commissioned by the Venetian government six canvases to celebrate the visit of the Russian Archdukes in the city, of which only two remain, and two others for that of Pope Pius VI. On September 12 of that year he was admitted to the Fine Art Academy of Venice. A stronger attention to colours is present in late works such as the Concerto of 80 Orphans of 1782, now in Munich, in the Façade of Palace with Staircase in the Accademia Carrara of Bergamo. Guardi died at Venice in 1793.  Related Paintings of Francesco Guardi :. | piazza san marco, venedig | View of a Square with Palace | Departure of Bucentaure towards the Lido of Venice on Ascension Day | The Coronation of the Doge on the Staircase of the Giants at the Ducal Palace (mk05) | The Giudecca with the Zitelle |
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carle vernet
Antoine Charles Horace Vernet aka. Carle Vernet (14 August 1758 - 17 November 1835) was a French painter, the youngest child of Claude Joseph Vernet, and the father of Horace Vernet. The Battle of Wagram; colored litho by Carle Vernet and Jacques SwebachBorn in Bordeaux, Vernet was a pupil of his father and of Nicolas-Bernard Lepicie. Strangely, after winning the grand prix (1782), his father had to recall him back from Rome to France to prevent him from entering a monastery. In his Triumph of Paulus Aemilius, he broke with tradition and drew the horse with the forms he had learnt from nature in stables and riding-schools. His hunting-pieces, races, landscapes, and work as a lithographer were also very popular. Carle's sister was executed by the guillotine during the Revolution. After this, he gave up art. When he again began to produce under the French Directory (1795 - 1799) , his style had changed radically. He started drawing in minute detail battles and campaigns to glorify Napoleon. His drawings of Napoleon's Italian campaign won acclaim as did the Battle of Marengo, and for his Morning of Austerlitz Napoleon awarded him the Legion of Honour. Louis XVIII of France awarded him the Order of Saint Michael.
Christian Mali
painted Magd mit Kuhen an der Tranke am See an einem sonnigen Fruhlingsmorgen, Munchen in 1880
William Wendt
1865-1946 Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature. William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density. Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter. Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.